1. Kraków. Wawel Royal Castle2. Kraków. The Royal Archcathedral Basilica of St Stanislaus and St Wenceslaus3. Kraków. Complex of Renaissance mansions in Kanonicza street4. Kraków. Complex of Renaissance mansions in the historical city centre5. Kraków. Villa Decius6. Zielonki. Church of the Nativity of the Blessed Virgin Mary7. Giebultów. Church of St Giles8. Modlnica. Church of St Adalbert and Our Lady of Sorrows9. Suloszowa. Pieskowa Skala Castle10. Ksiaz Wielki. Mirow Castle in Ksiaz Wielki11. Miechów. Basilica of the Holy Sepulchre12. Bodzentyn. Church of the Assumption of the Blessed Virgin Mary and St Stanislaus Bishop and Martyr13. Sucha Beskidzka. Castle in Sucha Beskidzka14. Kraków - Mogila. Sanctuary of The Holy Cross of The Cistercian Abbey1516. Niepolomice. Royal Castle in Niepolomice17. Niepolomice. Church of Ten Thousand Martyrs - Memorial Chapel of Branicki Family18. Tarnów. The Town Hall19. Tarnów. Complex of Renaissance townhouses in the Old Town20. Tarnów. Cathedral Basilica of the Nativity of the Blessed Virgin Mary21. Wilczyska. Jezów Manor House22. Szymbark. Castellum: Renaissance fortified manor house in Szymbark
Kraków - Branice. Branicki Villa - Lamus
Built by the Branicki family as a villa next to their main residence, it acquired its current shape around 1603. The construction works were conducted by the workshop of Santi Gucci: the royal architect and sculptor, designer of the complexes in Książ Wielki and in Łobzów, and a handful of Kraków residences.
This building on the plan of a rectangle approximately 12 m × 10 m, has three cellar bays with barrel vaulting. Polish style brickwork is visible in the walls of the ground floor. The floor has retained an entry hall with a stairway to the upper floor, and a large room with lunette vaulting. A similar bipartite division is present on the upper floor under a ceiling resting on larch beams. The roof is obscured by a parapet wall with blind niches and a characteristic toothed crenellation. The walls are decorated by sgraffito rustication, imitating a stone wall and typical of the Renaissance. The chiselcraft of the masters gathered around Santi Gucci is manifested in the late Renaissance decor of the room on the upper floor, especially the sculpted fireplace from Pińczów limestone (1603) decorated with animal herms, cornices, and cartouches bearing coats of arms.
Due to its later use the building is referred to as the lamus - a separate building used for storing things, sometimes quite bulky, that may come in handy. It is situated on the premises of a park and residence complex which today houses a branch of the Museum of Archaeology in Kraków.