1. Monastery of San Marco - Machiavelli’s Savonarola2. The First Performance of "The Mandrake" at Palazzo Medici Riccardi34. Piazza della Signoria - A Citizens’ Militia5. Palazzo Vecchio - Machiavelli and the Florentine Chancery6. The Loggia della Signoria (or “dei Lanzi”) - Machiavelli, the Republic and the Medicean Signoria7. The Bargello - Machiavelli and the War8. The Tabernacle of the Stinche - Machiavelli as Prisoner9. Casa Buonarroti - The Fortifications of Florence10. Santa Croce - the Death of Niccolò Machiavelli11. Palazzo Strozzi - the Fortune of Machiavelli
The Basilica of San Lorenzo - Preaching to the Women
In the Letter to Ricciardo Becchi dated 9 March 1498, one of the first direct documents of the life of the future Secretary of the Florentine Republic, Niccolò Machiavelli informed him of the activity of Friar Girolamo Savonarola. Machiavelli reported that, since it was unadvisable to preach in the Duomo - the most prestigious seat - for political reasons, Savonarola announced that he had decided not to do so "to avoid scandal and to serve the honour of God". He then arranged for the men to attend his sermon at San Marco, "and for the women to go to San Lorenzo to hear Fra Domenico". Machiavelli thus notes a diversity - for him, entirely natural - between preaching addressed to men and to women, in this case at the Basilica of San Lorenzo.
The Basilica of San Lorenzo, situated some hundred meters from Palazzo Medici Riccardi, is one of Florence's most ancient churches, having been first consecrated by St. Ambrose in 393, but then rebuilt in the Romanesque age. In 1418 the Medici - San Lorenzo was their church - commissioned Filippo Brunelleschi to remodel the ancient basilica. The work was completed only after his death by Antonio Manetti. On the outside, the facade of the basilica is faced in rough stone with three portals and an arched niche, while the right side is faced in smooth stone. The interior is striking for its harmonious serenity, deriving from the precise proportional relationships of Brunelleschi's project. The floor plan is a Latin cross, divided into three naves by two rows of Corinthian columns with high carved dosserets supporting rounded arches. Michelangelo Buonarroti was commissioned to design and build the inner facade, the balcony for displaying relics, the Laurentian Library, and the New Sacristy. The latter, and the Chapel of the Princes, are known as the Medici Chapels. Although the context was not lacking in prestige, it was deemed suitable for women to listen to sermons in a separate place.
In the works of Niccolò Machiavelli, the image of woman as a possession of man emerges repeatedly. A prince must avoid arousing hatred, by refraining from taking the "property of his citizens" and "their women" (The Prince, 17). Violating a woman meant offending the man she belonged to. Above all, Machiavelli compares fortune - the real force that every man, and first of all a new prince, must dominate - to woman: like a woman, fortune is voluble, and to have her on your side you must "beat and ill-use her". Like a woman, fortune is the friend of the young, who are "more violent, and with more audacity command her" (The Prince, 25). The submission of woman is taken for granted, as is her desire to be boldly commanded, even to the point of brutal violence.
In the Discourses (III, 6) Machiavelli speaks of Princess Caterina Sforza. Endowed with the unscrupulous cruelty of an audacious prince, she is ready to sacrifice her own children held hostage to save herself and the State. Caterina cares nothing for her children, since she can have others, and to prove it - proudly proclaiming her femininity - she displays "her genital member" to her enemies. Machiavelli reports this episode - not confirmed by historical sources - without prejudice; but he is unable to go one step further, as might seem obvious, and that is, to take her as model of behaviour for a new prince, side-by-side with Cesare Borgia known as Il Valentino.
In Machiavelli's now famous letter to Ricciardo Becchi we find an "on-the-spot" interpretation by Machiavelli of Savonarola's last days, and most notably of his decision, having reflected on the inadvisability of preaching in the Duomo, to have the men attend his sermons at San Marco and the women those of Fra Domenico in the Basilica of San Lorenzo. This same episode is reported by Jacopo Nardi in his Istorie della città di Firenze [Stories of the city of Florence] but with some differences. Nardi specifies that, due to the great crowds of people, it became necessary to preach only to the men, while the women - in his account - went to the Monastery of San Niccolò, today the site of the Opificio delle Pietre Dure. Machiavelli instead felt it unnecessary to report this information.
The preacher who took the place of Savonarola was Fra Domenico Buonvicini, or Fra Domenico da Pescia, one of the Prior's closest collaborators. Known to his contemporaries for his childish gullibility, Fra Domenico was also rumoured to know little doctrine. Roberto Ubaldini, the chronicler of the Monastery of San Marco, recalls him as a "man of good purity, but thick-headed, and too quick to believe in revelations and the dreams of women". To this faithful executor of Savonarola's orders, who acted as his replacement on several occasions, the Friar from Ferrara entrusted the organization and guidance of the company of boys. And here we can note how Fra Domenico resembles a "feminine" figure, close to the dreams of women, and hence suitable for preaching to less "rational" persons such as boys, as well as women.